adapted by Michael Gene Sullivan, directed by Gavin Conkling (5 men; 1 woman) October 16, 17, 23, 24
Based on the iconic novel by George Orwell, 1984 brings us the story of Winston Smith, a cog in the giant machine state of Oceania. Physically and mentally under the omnipresent eye of Big Brother, Winston has been caught struggling for scraps of love and freedom in a world awash with distrust and violence. With the brutal “help” of four Party Members, Winston is forced to confess his Thoughtcrimes before an unseen inquisitor, and the audience — which acts as a silent witness to his torture. A ferocious and provocative adaptation of one of the most prescient works of literature of the last century.
by Christopher Durang, directed by Nicole Reedy
(4 men; 2 women) November 13, 14, 20, 21
Bruce and Prudence are deeply into therapy. Prudence’s macho therapist is urging her to be more assertive while Bruce’s wacky female therapist wants him to meet women by placing a personal ad. She does not fully comprehend that Bruce has a male lover who is not pleased by Bruce’s desire to date a woman: Prudence. Bruce doesn’t know how to handle poor nervous Prudence and Prudence doesn’t know what to make of her unpredictable new boyfriend. They do learn to live beyond therapy in this delightful Off Broadway hit that moved successfully to Broadway.
The Great God Pan
by Amy Herzog, directed by Joseph Anderson
(3 men; 4 women) February 5, 6, 12, 13
Jamie’s life in Brooklyn seems just fine: a beautiful girlfriend, a burgeoning journalism career, and parents who live just far enough away. But when a possible childhood trauma comes to light, lives are thrown into a tailspin. Unsettling and deeply compassionate, “The Great God Pan” tells the intimate tale of what is lost and won when a hidden truth is suddenly revealed.
by Johnna Adams, directed by Matthew Falduto
(0 men; 2 women) March 4, 5, 11, 12
Over the course of a parent/teacher conference, a grieving mother and an emotionally overwhelmed primary school teacher have a fraught conversation about the tragic suicide of the mother’s son, Gidion. Gidion may have been bullied severely—or he may have been an abuser. As his story is slowly uncovered, the women try to reconstruct a satisfying explanation for Gidion’s act and come to terms with excruciating feelings of culpability.
by Mike Bartlett, directed by John Harper
(3 men; 1 woman) April 22, 23, 29, 30
John has been in a stable relationship with his boyfriend for a number of years. But when he takes a break, he accidentally falls in love with a woman. Torn between the two, filled with guilt and conflicting emotions, he doesn’t know which way to turn. His boyfriend is willing to wait for him to make a decision, but so is his girlfriend. And both are prepared to fight to keep him. As the pressure mounts, a dinner with both parties is arranged, and everyone wants to know. Who is John? What is he? And what will his decision be? A comic discussion of identity and sexuality, the play is specified to be performed with no props or set, so the focus is all on the drama of the situation.